My art practice translates vector drawings into physical objects, exploring concepts of infinity through the relationships of form. Inspired by cyclical universe theory, sacred geometry and Islamic tiling, I focus on non repeating patterns and the circle – a symbol without a beginning or end. I use the golden ratio and rotational symmetry as structural frameworks to create my work.

 

These vector sketches are then materialized using techniques like laser-cut wood, 3D printing, ceramic casting and recently augmented reality. This process transforms abstract digital concepts into tangible paintings, sculptures, and installations. The chosen materials – wood, polymers, ceramics – provide distinct physical qualities for these explorations.

 

Within the work, layered forms and gradient colors create visual pathways. The gradients guide the eye, suggesting shifts in scale and depth that echo the cyclical themes. Through the deliberate use of pattern, geometry, and material transformation, my art invites viewers to consider the perpetual cycles of change and recurrence.